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Short Form Content

Having taken several courses in film and media storytelling, I am experienced in producing short form narrative/documentary style content. Below are a few examples of short and snackable content that have been posted to social media.

Documentary Films

As a documentary filmmaker, I bring a unique blend of storytelling artistry and technical proficiency.

 

These skills encompass:

  • Narrative Construction: Crafting compelling narratives from diverse themes, shaping raw footage into engaging and impactful stories.

  • Cinematography: A keen eye for visual storytelling, capturing authentic moments and evocative imagery.

  • Editing Expertise: Proficient in Adobe Premiere Pro with a flair for assembling footage, sound, and graphics to create cohesive and emotionally resonant films.

  • Sound Design: With a background in live theater, I understand the power of sound to enhance storytelling, creating immersive audio experiences.

  • Technical Proficiency: Adept at utilizing various filmmaking equipment and software, ensuring high-quality production values.

  • Versatile Storytelling: Capable in capturing a range of documentary styles, and is able to adapt his style to fit the needs of the project.

  • Adaptable Production: Comfortable with high pressure and changing circumstances.

Corporate Ads & Promos

As a multidisciplinary storyteller and media creator, I bring a unique blend of artistic vision and technical expertise to corporate ad production. I specialize in crafting engaging narratives that resonate with your target audience, leveraging my experience in documentary filmmaking, live entertainment, and media production.

 

My Skills Include:

  • Concept Development: Brainstorming creative ad concepts that align with your brand's message and objectives.

  • Scripting & Storyboarding: Developing clear, concise scripts and visual representations that effectively communicate your brand's value proposition.

  • Video Production: Handling all aspects of filming, including cinematography, lighting, and sound, to ensure high-quality visuals and audio.

  • Post-Production & Editing: Refining your ad through professional editing, color correction, sound design, and motion graphics.

  • Multimedia Integration: Incorporating sound, lighting, and other media elements to create immersive and engaging ad experiences.

  • Project Management: Overseeing the entire production process, from pre-production planning to final delivery, ensuring projects are completed on time and within budget

Theatrical Sound & Media Designer

As an award-winning sound and media designer, I have designed and worked with an array of students, faculty and production staff from several backgrounds. I have had the privilege to design in thrust and proscenium spaces as well as work as a sound engineer and A1 for a multitude of productions. In my pursuit of bringing the director's vision to life, I have strived to build an open line of communication and put my own spin on the work as a collaborator with my unique multicultural background and perspectives as the driving force behind it all.

Recent Credits Include:

Sound & Media Designer for Constellations - Directed by Sarah Cadena at Wake Forest University

Sound Designer for Urinetown - Directed by Cindy Gendrich at Wake Forest University

Sound Designer for Sense & Sensibility - Directed by J.K Curry at Wake Forest University

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Theatrical Lighting Designer & Electrician

I also specialize in lighting design and electrical work, transforming theatrical spaces into captivating environments. I've had the opportunity to design and implement lighting solutions in both thrust and proscenium settings, working closely with directors and production teams. My goal is to translate their vision into impactful visual experiences, combining technical expertise with creative innovation. I believe in open communication and collaborative problem-solving, and I bring a unique blend of cultural perspectives to every project.

Recent Credits Include:

Lighting Designer for Rent - Directed by Enrique Brown at the Central Virginia Fringe Festival

Lighting Designer for Musical Comedy Murders of 1940 - Directed by Cindy Gendrich at Wake Forest University

Lighting Designer for Independence - Directed by Jordi Keller at Wake Forest University

Lighting Designer for 25th Annual Putnam County Spelling Bee - Directed by Zac Anderson at Wake Forest University

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Sound Engineer & A1

To ensure the orchestra and performers are audible and clearly understood by the audience, the A1 or Front of House engineer must ensure the show is mixed in accordance to the sound designer and director's vision. This involves the management of the EQ and levels of each of the microphones and speakers. My experience in monitoring numerous live microphones along with specific and particular signal routing for multiple productions has equipped me with a comprehensive understanding of the different facets of this role.

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Proficient with Behringer WING/X-32, Allen & Heath SD 5, Digico SD 9, Yamaha QL Series consoles. 

These videos showcase snippets of live mixing from show performances.

Detailed show specific documentation and paperwork can be viewed below:

DCA Tracking Sheet - She Loves Me

Scene Breakdown - She Loves Me

Resume/CV

Take a look at my updated resumes below!

Contact Me:

Thank you for contacting me!

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